PS1 Dolmen

MoMA PS1 Young Architects Program Competition Proposal
2016 (unbuilt)

Robert Smithson Photographed by Nancy Holt at the Pentre Ifan Dolmen, dating 3,500 BCE, in Wales (1969).
Competition Finalist: 2016 MoMA PS1 Young Architects Program Competition
Client: Museum of Modern Art and MoMA PS1
First Office Team: Anna Neimark, Andrew Atwood, Lily Nourmansouri, Alison Rust, Frank Yang
UC Berkeley Workshop: Julian Daly, Brooke Hair, Jeff Marsch, Edwin Obrien, Alex Spatzier
SCI-Arc Workshop: Deborah Garcia, Connor Gravelle, Daniel Hapton, Kyla Schaefer, Tidus Ta
Fabrication: Andrew Baccon, Machinemade, Erik Tietz, Machinemade
Structural Engineering: Matthew Melnyk, Nous
App Design: Theo Triantafyllidis

Dolmens Ordered by Leg Count:
(Top Row, left to right)
Dolmen de Vaour, France.
Dolmen de Bagnol, Limousin, France.
Dolmen Bachwen, Gwynedd, Wales.
(Middle Row, left to right)
Dolmen of Sindh, Pakistan.
Dolmen at Gwangju, South Korea.
Chokahatu Dolmen, India.
(Bottom Row, left to right)
Dolmen de la Piedra Gentil, Guatemala.
Dolmen de Menga, Spain.
Brownhill Dolmen in North Salem, New York, United States of America.
Theo Triantafyllidis in Collaboration with First Office, MOMA PS1 Dolmen App
Dolmens are prehistoric monuments that we don’t know anything about. And we frankly don’t care; after all, we are not anthropologists. But because there are so many of them out there (dolmens that is, not anthropologists), and because they exist on nearly every continent, yet always manage to look somewhat alike, we thought that it would be appropriate to study them as they appear to us today: a bit crooked, half buried, and mostly broken.

Dolmens Modeled in Paper:
Dolmen de Vaour, France.
Dolmen de Bagnol, Limousin, France.
Dolmen Bachwen, Gwynedd, Wales.
Dolmen at Gwangju, South Korea.
We noted that their informal composition, we noted, built on asymmetrical parts that are deteriorating, often led to bad posture. Unlike some more canonical erect precedents, we thought that these things had character, like a dirty uncle or a stinky cheese. And after a not-so-thorough study of about twenty of them, we decided to do something that we were advised on numerous occasions against: a Dolmen for the courtyard of MoMA PS1 in Long Island City, New York.


Theo Triantafyllidis in Collaboration with First Office, MOMA PS1 Dolmen App Still Shots.

PS1 Site Model with Dolmen

Site Plan at Capstone Level
Too big to fit neatly within the courtyard’s bounding walls, too small to hover clearly above them, the PS1 Dolmen seems a bit out of place. It’s off balance, for sure, gray and dull, nailed in place, with virtually only paint holding it together at the seams. The wooden capstone box seems to leak at the mere thought of rain.

Site Model Photograph
Maybe it is no place for a party. Everyone agreed. They shook their heads. There was an awkward silence.

Short Section Through the Site

Dolmen Inside MoMA PS1 Courtyard, Rendering

Dolmen Outside MoMA PS1 Courtyard, Rendering

Model Photograph at Ground Level

Plan at Ground Level

Model Photograph at Capstone Level

Plan at Capstone Level

Long Elevation

Long Section

Model Photograph Long Elevation

Short Elevation with Scale Figures

Short Section



Model Photograph in Perspective


Rain Animation Stills
Site: Mr. Wren
First Office was founded in 2011 by Anna Neimark and Andrew Atwood to create a dialog between architectural practice and academic discourse. Their collaborative work spans buildings, exhibitions, and publications, all rooted in the belief that architecture is a form of cultural production.
The practice has engaged with leading institutions, including the MAK Center for Art and Architecture, the Chicago and Venice Biennials, MoMA PS1’s Young Architects Program, and the Architectural League of New York. The projects and essays of First Office have been recognized with awards and compiled in Nine Essays (Treatise Press, 2015), as well as in Andrew’s publication Not Interesting: On the Limits of Criticism in Architecture (Applied Research and Design, 2017).
Anna Neimark
Design Faculty and Visual Studies Coordinator, SCI-Arc
anna.neimark@gmail.com
Andrew Atwood
Licensed Architect and Associate Professor, UC Berkeley
w.andrew.atwood@gmail.com