Writings



Andrew Atwood, Not Interesting: On the Limits of Criticism in Architecture (San Francisco: ar+d, 2018).
First Office: Andrew Atwood & Anna Neimark, Nine Essays, ed. Jimenez Lai (Chicago: Graham Foundation for Advanced Studies in the Fine Arts Treatise Press, 2015).
Anna Neimark, “VA Building 701 MacArthur: A Postwar Machine," Log 64: Toward a Newer Brutalism, ed. Emmett Zeifman (Summer 2025).



Anna Neimark and Andrew Atwood, “Duchamp’s Shotgun House by First Office," in Asssembly: Matter, Lineament, and Aggregated Systems in Architectural Production, ed. Gail Peter Borden and Michael Meredith, (London: Routledge, 2025).
Anna Neimark, “A Report on War and Peace: Notes from the Design Trenches,” Khorein: Change (Vol. II, No. 1) ed. Catherine Ingraham (2024).
Anna Neimark and Michael Osman, “Catching Flak: On the Irony of Fortresses,” Architecure Research: Architecture and Irony, ed. Emmanuel Petit (2024).



Anna Neimark & Andrew Atwood, “Stone on Stone" –
Cynthia Davidson with K. Michael Hays, Andrew Holder & Anna Neimark, "Toward a Theory Of Inscription" –
Log 59, ed. Cynthia Davidson (Fall 2023).
Anna Neimark, “Rude forms among us: Contemporary Construction of Prehistoric Ruins,” AD: Alt-Form: Indeterminacy and Disorder (02, Vol. 92), ed. Viola Ago (2022).
First Office, "Dolmens," cataLog 56: The Model Behavior Exhibition, ed. Cynthia Davidson (Fall 2022).



First Office, "Battleship House, 2020; In a Shrunken Field: A Postconceptual Position,” Inscriptions: Architecture Before Speech, ed. K. Michael Hays & Andrew Holder (Cambridge, Mass.: Harvard U. Press, 2020).
First Office: Andrew Atwood and Anna Neimark, “Bad Rosalind Krauss,” PRAXIS 15: Bad Architectures, ed. Amanda Reeser Lawrence and Ashley Shafer (2019).
First Office, "House No. 15: Battleship House," 44 Low Resolution Houses, ed. Michael Meredith (Princeton: Princeton U. SoA, 2018).



First Office, "The Dolmenology," POOL 2: Rules, ed. Aubrey Bauer & Tessa Watson (2017).
Anna Neimark, Andrew Atwood (First Office), Theo Triantafyllidis, "City Render," cityLAb, times 10, ed. Dana Cuff (cityLAB UCLA & A+D museum, 2017).
First Office: Andrew Atwood & Anna Neimark, "Very Special Thanks," Young Architects 17: Authenticity, ed. Anne Rieselbach (New York: Architectural League of New York, 2017).



Anna Neimark & Andrew Atwood, "Paranormal Panorama," Lineament: Material, Representation and the Physical Figure in Architectural Production, ed. Gail Peter Borden & Michael Meredith, (London: Routledge, 2017).
First Office, "Post Construction," Errors, Estrangement, Messes & Fictions, ed. Hadrian Predock (Los Angeles: USC Architecture, 2016).
First Office: Anna Neimark and Andrew Atwood, “Blocks of Blabla,” After Belonging: The Objects, Spaces, and Territories of the Ways We Stay in Transit, ed. Lluís Alexandre Casanovas Blanco, Ignacio G. Galán, Carlos Mínguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero Verzier, (Switzerland: Lars Müller Publishers, 2016).



Andrew Atwood, "Rewriting Abstraction," Project 4: A Journal for Architecture (Winter, 2015).
Andrew Atwood, "Rendering Air: On Representation of Particles in the Sky" –
Anna Neimark, "On White on White" –
Log 31: New Ancients, ed. Dora Epstein Jones & Bryony Roberts (Spring/Summer 2014).
Anna Neimark & Andrew Atwood, "How to Domesticate a Mountain," Perspecta 46: Error, ed. Emma Bloomfield and Joseph Clarke (2013).



Andrew Atwood & Anna Neimark, "Abstraction Returns: A Grid Proposal for the Island of Manhattan," Think Space Pamphlets, ed. Adrian Lahoud (Zagreb, 2013).
Andrew Atwood & Anna Neimark, "Zoopol, a Monument to the Animal Kingdom," Project 1: A Journal for Architecture (2012).
Anna Neimark, "The Infrastructural Monument: Stalin’s Water Works under Construction and in Representation," Future Anterior: On Preserving the Openness of the Monument (Vol. 9 No. 2), ed. Aron Vinegar & Jorge Otero-Pailos (Volume 9 Number 2, 2013).
Writings


Andrew Atwood, Not Interesting: On the Limits of Criticism in Architecture (San Francisco: ar+d, 2018).
First Office: Andrew Atwood & Anna Neimark, Nine Essays, ed. Jimenez Lai (Chicago: Graham Foundation for Advanced Studies in the Fine Arts Treatise Press, 2015).


Anna Neimark, “VA Building 701 MacArthur: A Postwar Machine," Log 64: Toward a Newer Brutalism, ed. Emmett Zeifman (Summer 2025).
Anna Neimark and Andrew Atwood, “Duchamp’s Shotgun House by First Office," in Asssembly: Matter, Lineament, and Aggregated Systems in Architectural Production, ed. Gail Peter Borden and Michael Meredith, (London: Routledge, 2025).


Anna Neimark, “A Report on War and Peace: Notes from the Design Trenches,” Khorein: Change (Vol. II, No. 1) ed. Catherine Ingraham (2024).
Anna Neimark and Michael Osman, “Catching Flak: On the Irony of Fortresses,” Architecure Research: Architecture and Irony, ed. Emmanuel Petit (2024).


Anna Neimark & Andrew Atwood, “Stone on Stone" –
Cynthia Davidson with K. Michael Hays, Andrew Holder & Anna Neimark, "Toward a Theory Of Inscription" –
Log 59, ed. Cynthia Davidson (Fall 2023).
Anna Neimark, “Rude forms among us: Contemporary Construction of Prehistoric Ruins,” AD: Alt-Form: Indeterminacy and Disorder (02, Vol. 92), ed. Viola Ago (2022).


First Office, "Dolmens," cataLog 56: The Model Behavior Exhibition, ed. Cynthia Davidson (Fall 2022).
First Office, "Battleship House, 2020; In a Shrunken Field: A Postconceptual Position,” Inscriptions: Architecture Before Speech, ed. K. Michael Hays & Andrew Holder (Cambridge, Mass.: Harvard U. Press, 2020).


First Office: Andrew Atwood and Anna Neimark, “Bad Rosalind Krauss,” PRAXIS 15: Bad Architectures, ed. Amanda Reeser Lawrence and Ashley Shafer (2019).
First Office, "House No. 15: Battleship House," 44 Low Resolution Houses, ed. Michael Meredith (Princeton: Princeton U. SoA, 2018).


First Office, "The Dolmenology," POOL 2: Rules, ed. Aubrey Bauer & Tessa Watson (2017).
Anna Neimark, Andrew Atwood (First Office), Theo Triantafyllidis, "City Render," cityLAb, times 10, ed. Dana Cuff (cityLAB UCLA & A+D museum, 2017).


First Office: Andrew Atwood & Anna Neimark, "Very Special Thanks," Young Architects 17: Authenticity, ed. Anne Rieselbach (New York: Architectural League of New York, 2017).
Anna Neimark & Andrew Atwood, "Paranormal Panorama," Lineament: Material, Representation and the Physical Figure in Architectural Production, ed. Gail Peter Borden & Michael Meredith, (London: Routledge, 2017).


First Office, "Post Construction," Errors, Estrangement, Messes & Fictions, ed. Hadrian Predock (Los Angeles: USC Architecture, 2016).
First Office: Anna Neimark and Andrew Atwood, “Blocks of Blabla,” After Belonging: The Objects, Spaces, and Territories of the Ways We Stay in Transit, ed. Lluís Alexandre Casanovas Blanco, Ignacio G. Galán, Carlos Mínguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero Verzier, (Switzerland: Lars Müller Publishers, 2016).


Andrew Atwood, "Rewriting Abstraction," Project 4: A Journal for Architecture (Winter, 2015).
Andrew Atwood, "Rendering Air: On Representation of Particles in the Sky" –
Anna Neimark, "On White on White" –
Log 31: New Ancients, ed. Dora Epstein Jones & Bryony Roberts (Spring/Summer 2014).


Anna Neimark & Andrew Atwood, "How to Domesticate a Mountain," Perspecta 46: Error, ed. Emma Bloomfield and Joseph Clarke (2013).
Andrew Atwood & Anna Neimark, "Abstraction Returns: A Grid Proposal for the Island of Manhattan," Think Space Pamphlets, ed. Adrian Lahoud (Zagreb, 2013).


Andrew Atwood & Anna Neimark, "Zoopol, a Monument to the Animal Kingdom," Project 1: A Journal for Architecture (2012).
Anna Neimark, "The Infrastructural Monument: Stalin’s Water Works under Construction and in Representation," Future Anterior: On Preserving the Openness of the Monument (Vol. 9 No. 2), ed. Aron Vinegar & Jorge Otero-Pailos (Volume 9 Number 2, 2013).